Archive for Sabre

10 Questions with Huang Chun-Yi

Posted in 10 Questions, Swordsmanship, Weapons with tags , , , , , , , , , on July 17, 2018 by Combative Corner

How did you come across fencing and in particular, fall in love with historical weapons?

I liked to read literature and watch movies since I was in my childhood. After I came across a YouTube video on longsword fencing, I started to search for historical manuals and checked if what I found really existed. I found that sabre also interests me a lot. Around 2014-2015, I found my teacher through my friend in Czech Republic. Then my teacher come to Taiwan to teach.


What do people of Taiwan think about European swordsmanship and has it caught on in popularity? Why or why not?

European swordsmanship is very new in Taiwan, and is developing quite slowly. The main reasons are the native culture and the culture distance. The society in Taiwan is dominated by Japanese  and Chinese martial arts because of the history background. The image on European swordsmanship largely comes from movie or fantasy. It is difficult to change in a short time.


What’s one thing that you feel all beginners should know?

Friendship. Sharing the knowledge and interests in a friendly way can shorten the road of learning. Making friends can help the growth of the community and broaden your thoughts. Test and work on the needs not only in fencing but also life together. Maybe you can find your lifetime partner or even mentor.


Is there anything else that you do in your life that helps you to be a better fencer, teacher, or both?

Both.  I was working as a teacher, which helps me understand more on the method of education, and psychology of learning. I am also a medical laboratory technologist; I know body mechanisms and some sport science through my university education. The most important thing is gaining lots of info and experience from other fencers and teachers.


What do your parents think of what you do and have you gotten any of them to fence?

They understand what fencing is and can differentiate the difference between modern fencing and historical fencing. They are supportive, and my father is the first one to show me fencing, but they don’t have time to fence themselves.


Your descriptions says you teach from the teachings of Luigi Barbasetti. Is there a big difference between this or other styles of fencing? What would that be in your words?

If you compare the Barbasetti style with other sabre style, the biggest difference is the moulinet which is from the elbow. And the style also emphasizes on a more direct cut.


Do you compete? Or is sparring enough? Why or why not?

No, I don’t compete for now, but I do teach how to deal with competition. I also do sparring with friends inside and outside of the club. The reason why I don’t compete and prefer sparring is that the mindset is different. Of course it depends on the rules of the competition. From my experience, the competitor’s main goal is to win the medal, so they will go whatever way is the best and easier to get the most points. You can learn how to fence in high pressure and face different opponents, and it is a way to test yourself. But for sparring, we can set the goal and work on what we need. Both are good to progress yourself, just a different way to train.


It is really hard (in the U.SA.) to make a living as a teacher, especially to teach the martial arts as a main source of income. Do you teach professionally only, or do you have other jobs?

I have another job as a teacher, and doing some business. In Taiwan, it is hard to teach martial art as a job. The society generally aims at the competition over the “real life” fencing.  It is seen as  entrainment, or a sport, not a serious thing.

The market is very small and we can’t ignore the people who do the sport fencing and other martial arts. People don’t tend to change when they get used to one thing.

 

Besides your love for swordsmanship, what else does Huang Chun-Yi like to do in her spare time?

I like music, culture and historical study. I also like to travel and visit historical sites with my partner. Hiking is also one of my favorite things – especially with my family, and friends.


Where does Huang Chun-Yi think she’ll be in 10 years? Are there any big goals in mind? If so, what might that be?

That is a good question, but it is hard to say what and where I will be after 10 years. Maybe I won’t be doing fencing and get married – Or even move to another country! I am sure that I will travel to more countries and keep learning things though.

Bonus Question:

If you could learn from any martial art teacher of the past or present (NOT Barbasetti), who would it be and why?

Giuseppe Radaelli. He is the one who largely introduced the elbow moulinet, the use of the thumb grip on the sabre, and using of light sabre (compared to other sabres in the same period). He taught in the military and cavalry and was a good teacher. I would like to discuss his book, the differences from mounted sabre to his light sabre with him.

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A Short Study of the Smallsword

Posted in Fencing, Styles, Swordsmanship, Weapons with tags , , , , , , , , , , , , , , , , , , , on February 16, 2015 by chencenter

smallSword_AngeloThe small sword (or court sword, l’épée courte) is a weapon that began to spread across Europe as early as the 1630s.  This weapon, effective in both attack and defense and designed for the thrust reached the height of its popularity in the late 17th-early 18th century; particularly in England and France.  Due to the small sword’s practicality, lithe & lethality, it became the weapon used to dissolve disputes*. Because the small sword required fencing kill to handle, and due to its piercing nature, the small sword duel was deemed “more civilized” than weapons concentrated on slashing and hacking.

Goodbye Rapier

The rapier, a popular image of today due to its use in movies (Zorro, The Princess Bride, The Three Muskateers, etc) became less and less popular in the late 17th century.  There were many reasons for this, one being the rapier’s bulkiness/ un-suitability in confined quarters, and changes in men’s fashion.  Richard Cohen, author of By The Sword wrote,

In 1663 the “suit”- the first piece of menswear to fasten in the front – made its appearance.  The rapier, easy enough to carry and draw in the days of the doublet and hose, did not sit well with the brocaded jackets, breeches, and silk stockings.  So popular in the 1640s and 1650s, it had become antisocial, “an infernal nuisance to passers-by.”

Description
Small Sword trainerAlmost essentially a thrusting weapon; although records exist of its occasionally being “sharpened as a razor” for dueling, the major French small sword instruction treatises focus solely on the thrust.  The sword is easily recognized by its shorter blade (29-35in.), Pas d’ane, quillon and knuckle bow.

*The picture to the left is of a small sword trainer made by Triplette Competitive Arms (Elkin, NC)

The small sword gave rise to a new school of fencing, “escrime francaise.”  Author Cohen writes:

In 1653 a book by Charles Besnard of Rennes, a leading master showed conclusively that the French had finally improved on the Italians, whose masters had never allowed for purely defensive movements -every parry had also to be a thrust.  Besnard (alleged to be the first to use the word “fleuret,” the French word for “foil) saw that always trying to do two things at once was a mistake and separated attack from defense… Besnard also introduced the formal salute, a symbol of courtesy and good form.

What’s better?

Are all swords equal? No.  Each of the various weapons of the past and present were/are constructed for specific purposes. What remains true (like all martial arts) is that skill (in this case, wielding the sword) is paramount.  The evolution of weaponry has always been based on the necessities of battle (in other words, what tool is need to overcome a foe(s)), it’s intended use and trial and error.  Fashion and practicality aside, the small sword was designed for the thrust – which as always been the most lethal of blows.  It’s shorter length, gave the fighter more agility and control over the blade.  Even though a dagger was often needed for close-quarters, the small sword carried on strong until the Napoleonic Age.

The Beginning of the end

In 1799 a coup d’état brought General Napoleon Bonaparte to power in France.  A formidable fencer by the time he reached military school, Bonaparte relished fencing, but despised the duel.  His thoughts were that “A good duelist made a bad soldier.”  By the time he had seized power, although there were still no laws banning dueling, Bonaparte had seen too many great fencers die or become disabled due to this reckless pastime.  Being a superb weapon in the battlefield, especially on horseback, the thrust-centric small sword was not.  Through Napoleon’s battles across Europe and into Russia, the only bladed weapon was the cut-centric saber/sabre – which he used to great effect in his heavy calvary charges.  (more on sabre’s in another article!)

NOTE TO READER (via Michael McQuown)

The ‘dueling sword’ and the smallsword are not the same weapon. The dueling sword consisted of a simple cup or bell guard, a handle, pommel, and a blade, with no quillons. It was never meant to be worn and was often made in pairs and carried in a case solely for the purpose of dueling. It is the direct ancestor of the modern epee and was often called the ‘epee du combat.’

Small Sword vs. Basket-Hilted Backsword

This is one of my favorite choreographed sword fights of all-time [movie fight review: click here]

True Combat

One of the most realistic scenes involving the small sword can be seen in the first fight in the movie, The Duellists.

More Information

For small sword and bladed weapon enthusiasts everywhere, you’ll be happy to hear that the CombativeCorner will be conducting an interview with Jeannette Acosta-Martinez, possibly the foremost expert of the Small Sword and the French School of small sword combat living today.  She is one of the main instructors at the Martinez Academy in New York.  Read our interview with her husband and fencing maestro Ramon Martinez.

OTHER FENCING LINKS

FENCING LANGUAGE IN “THE PRINCESS BRIDE”

FENCING LANGUAGE IN “I LOVE YOU, MAN

10 QUESTIONS WITH MATT EASTON

FOLLOW US ON FACEBOOK, TWITTER AND INSTAGRAM

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Do you yield coach joyceCoach Michael Joyce teaches classical foil fencing in Winston-Salem, North Carolina.  Mr. Joyce got his training at both the St. Louis University (1998, 1999) and University of NC-Greensboro (1999-2002) Fencing Clubs.  He has been teaching (fencing) professionally since 2005 and enjoys fencing with the French Smallsword, the Chinese Jian (straight sword) and Shaolin Rope Dart the most.

Making Your Mark : Get There First

Posted in Day's Lesson, Fencing, Teaching Topic, Training, Weapons with tags , , , , , , , , , , , , , on November 2, 2011 by chencenter

Not Just For Fencers!

One thing that should be stamped in the mind of every fencer (and martial artists) worried about reaching your target is to understand two important points:

The first is that the hand, arm or even weapon is superfluous.  Your opponent, your “test of skill” is the man or woman in front of you, nothing more.  So much confusion begins when the student feels that every engagement must be “beat” or “pressured.”  When the space opens, the mind-body-(sword/fist/etc) should fly swiftly towards his or her area of weakness.  “Parrying/Blocking” are sometimes counterproductive.  In fencing there are rules governing where our point should land.  However, as martial artists we should all learn control.  Remember, “Mastery of anything does not come out of chaos.”*

The second is that (even as a beginner) we must learn to understand our opponent’s intention, and move where his/her conscious energy is not.  In fencing we all seek “Sentiment du fer” (Feeling of the Blade) and it is this that’s one of the most important qualities in a masterful fencer.  Understand the Yin and Yang of the blade…  that when your opponent presses hard on your blade, the most efficient and quickest way to jump back into the offensive is to be “soft/yin.”  On the other side of the coin, if your opponent is weak or is too relaxed on the piste, consider overcoming your opponent with an increase in “hard/yang” energy.

Remember, that it’s the successful marriage of soft and hard that creates sentiment du fer.  Mastery of this comes back to desire, patience and practice.

MORE FENCING ARTICLES HERE:

PROPER GRIP OF THE FOIL

FENCING LANGUAGE IN “I LOVE YOU, MAN”

FENCING LANGUAGE IN “THE PRINCESS BRIDE”

*Master Quote, by Nick Evangelista.

FOLLOW US ON TWITTER & FACEBOOK

10 Questions with Tim Morehouse

Posted in 10 Questions, Fencing, Fighters, Swordsmanship, Weapons with tags , , , , , , , , on February 28, 2011 by Combative Corner

Tim Morehouse is an Olympic Silver medalist in fencing (Beijing Games 2008) and a National Champion (2010, Atlanta, GA).  He has achieved a lot since getting graduating from Brandeis University including: Masters degree in Education, the number one ranked US Men’s Saber Fencer (2009-2010) steadily climbing the ranks to within the top 15 in the world.  The CombativeCorner has been eager to learn about this guy, and luckily we did.  Look to find all in his upcoming book, due out in Spring 2012.  Click on the image above to visit his website.

How did you know you wanted to be a fencer?

I didn’t! I didn’t even know what fencing was when I first went to the tryouts at my middle school, but it was one of the few options for being on a team at my school, so I went to check it out and fell in love!

What was your biggest challenge when you first started?

My first semester of fencing I actually got a C! I had a hard time focusing and paying attention for long periods of time when I was younger so fencing really helped me to improve my focus an discipline, but focusing was also my biggest challenge at the start.

What is your favorite weapon and why?

Saber. I have fenced it since I was 14. I started in foil, but I always use to look over at the people practicing saber and wanted to do that one instead so I made the switch to saber. It if fast, dynamic and a lot of fun.

What is the greatest thrill of your career thusfar?

Winning Olympic Silver Medal in 2008 Beijing Olympics, my National Championship in 2010 and becoming a first team all-American in 2000 while representing my school Brandeis University

What athlete has inspired you the most and why?

Jackie Robinson was a big inspiration for me. I wrote a book report on him when I was in 4th grade and the character he showed helping to overcome the color barrier in Major League Baseball was unbelievable. He faced so many challenges and overcame all of them.

What is your favorite film to watch (that has fencing) and what about it makes it your favorite?

The favorite fencing thing I’ve watched is the Modern American family fencing episode and it is HILLARIOUS! The son on the show is a dominating epee fencer at his club and his family is so proud, but he wants to retire before the gold since he has to fence a girl…I don’t want to give away the whole episode! They just did the whole episode so well, had me dying of laughter!

What would Tim Morehouse have become (you think) had fencing not been a part of your life?

I’m not sure. I really enjoy acting and have done a lot of classes in high school and was missing one credit to be a theater minor in college. I was never able to do any plays because fencing always took priority.

What goes through your mind before you begin a bout?

I’m thinking about what action I’m about to execute and also telling myself to “come to my baseline” mental place. I always want to be fencing from a familiar and strong mental place. Never get too high and never get too low.

What ritualistic, superstitious, or mental preparation do you do pre-competition? In other words, how do you get prepared?

The night before I like to relax and watch TV shows. On long trips, I’ll usually bring a season of something. I also will write notes to myself the night before about things I want to make sure I do the next day when I compete. I have a very regimented warm up routine involving mental and physical warm up as well. Not too many superstitions.

What passions does Tim Morehouse have off the strip?

I enjoy doing things that are challenging and that help people. I was a teacher for 3 years with Teach For America and worked another 4 years on staff training teachers to work in inner-city schools so I would say that education is my biggest passion. I also enjoy blogging, doing a bit of stand-up comedy every once in a while, meeting great new people and planning events.

Bonus Question:

If Tim Morehouse was a superhero, what power would he have and what weapon (if any) would he have and why?

The power to help people believe in themselves more. (including myself!) I think you can link back most successes to having confidence and belief in what you’re doing. Imagine what kind of world we could live in, if more people pursued their passions and ideas 100% and weren’t afraid to play it safe.

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